Listen perceptively to the “Kyrie” from “Missa O Magnum Mysterium” by the Renaissance Spanish composer Tomás Luis de Victoria.
In 5 defective paragraphs, picture the attributes of the melodious preference, according to the subjoined momentous criteria:
1. RECOGNIZE AND DESCRIBE:
At smallest one in of each melodious element—rhythm, tempo, song, comparison, timbre, treatment, and form—that happen in this feature conformation. Use exact melodious provisions well-informed in the succession and described adjectives. Examples of described adjectives capability include: a "menacing" song, "triumphant" dynamics, or a "racing" tempo. Use your imagination!
Your conclusions encircling what the agent was trying to personate. [Might a "racing" tempo personate an violate to fly from jeopardy or dancing at a observance?]
The conformation's tender esteem, using talk that pictures tender states. Does the voicelessness specific joy, trepidation, choice, optimism, seriousness?
The conformation's poetical quality: What makes this conformation a estimable performance of art?
The pi that the conformation has on you. How does it specific aspects of the rational stipulation? Does the voicelessness intimate a philosophy for buttress?