music writing

scarcity answers for all. MAXIMUM 600 tone total  1. The Sex Pistols were the primary prevailing punk order from England. “Anarchy in the UK” offers an copy of their composition to mainstream English refinement and illustration. How does the hush repair the lyrical in? Does the exploit exhibit the order as a fibre or as merely a diverge? Elaborate. 2. “My Best Friend’s Girl” by The Cars pretexts an existing copy of New Wave bisection balance to interchangeable radio. How does the hush eliminate throughout the epic? Are there biting highlights that perceive sections? Does the loud grant summon an excitemental tally or is it wanting of excitement? What makes it “radio-friendly”?  3. Compare and contrariety the New York and English punk spectacles. Use artists from twain to paint your points.  4.  The English punk spectacle eliminates out of political upheaval. Groups such as The Sex Pistols, The Clash, The Jam, and Siouxsie and the Banshees all conclude from these qualification. What perceivees them from each other? What is their dishonorable course? Is there an underground propose today that represents the running disturbance?  5. The three greater technological advancements in hush transmission entertain been radio, MTV, and the Internet. Compare and contrariety all three delay copys of the strengths and weaknesses of each.    6. “Billie Jean” by Michael Jackson is suggestive in multifarious ways. What breakthrough was it culturally? Musically, how does the corrugation fit opposing the loud grant? How does the evolution denote into the exhibitation? 7. “”Like a Virgin” by Madonna displays her harmony for play and strife. How does her conception purpose into the hushal exploit? Is there any homogeneousness betwixt her and Jackson’s evolution estimate? 8. “Don’t Stand So Close to Me” by The Police offers a survey of the order at the top of their prevailingity and conceptional issue. How do their roots in ska and reggae pretext through in this interest? Does the band’s technical courage balanceshadow the epic? How does the loud grant patronage the lyrical pleased? 9. The broad order of hush created during the 1980’s pretexts twain a exercise of precedent styles and a propose obtrusive delay new hush. Considering bands/artists as distinct as R.E.M., The Smiths, U2, Squeeze, Cyndi Lauper, Bruce Springsteen, The Stray Cats, Hall and Oats, The Cure, and Genesis, is this era as suggestive to the eliminatement of roll hush as the existing 1970’s were? Why?